Upcoming Exhibitions

Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga

2/8/15 to 7/19/15 | Hoffman Galleries

Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga will examine the full arcs of the artists’ careers, from their early works to their 18-year engagement with the Gutai Art Association—the leading avant-garde group of postwar Japanese artists—to their later masterworks created in the 1980s, 90s, and early 2000s.

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Frank Bowling: Map Paintings

2/20/15 to 8/2/15 | Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries

Frank Bowling: Map Paintings will highlight the DMA’s acquisition of its first painting by the seminal artist Frank Bowling, Marcia H Travels (1970), in an installation with four additional works from private collections presenting the entire selection of work from the artist’s influential “Map Paintings” series. 

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Concentrations 58: Chosil Kil

2/20/15 to 8/2/15 | Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries

In her first U.S. museum solo show, London-based artist Chosil Kil continues her exploration of the liminal space between interior and exterior; material and immaterial; object and performance. 

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Michaël Borremans: As sweet as it gets

3/15/15 to 7/5/15 | Chilton I Gallery

Michaël Borremans: As sweet as it gets is the first exhibition to bring together the Belgian artist’s paintings, drawings, and films from over the last fourteen years in a single survey.

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International Pop

10/11/15 to 1/17/16 | Chilton I Gallery

This groundbreaking exhibition follows the trajectories of Pop and its critical points of contact with global developments in art such as Nouveau Réalisme (France), Concretism and Neo-Concretism (Brazil), The Art of Things (Argentina), Anti-Art (Japan), Capitalist Realism (Germany), Happenings, and Neo-Dada.

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Jackson Pollock: Blind Spots

11/15/15 to 3/20/16 | Hoffman Galleries

Jackson Pollock: Blind Spots will illuminate this underexplored but pivotal part of the artist’s practice. The exhibition will explore the Pollock’s practice via a selection of paintings made between 1947 and 1949; these works will serve to contextualize the radical departure represented by the Black Pourings, a series of black enamel and oil paintings that Pollock created between 1951 and 1953. 

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