Today at the Museum


Youth and Beauty: Art of the American Twenties

March 4–May 27, 2012
Barrel Vault and Hanley, Lamont, Rachofsky, and Stoffel Galleries

Youth and Beauty: Art of the American Twenties is the first wide-ranging examination of American fine art from the end of World War I through the start of the Great Depression. This nationally touring exhibition, featuring more than 130 works of painting, sculpture, and photography by more than sixty-five artists, will demonstrate how American artists of the period embraced a progressive, idealized realism visible in a resurgence of figuration and in highly distilled images of American places and things. Organized by the Brooklyn Museum, Youth and Beauty will include three works from the DMA’s collections.

The 1920s—“The Jazz Age,” “The Roaring Twenties”—was a decade marked by widespread urbanization, industrialization and mechanization, and social phenomena including the postwar collapse of traditional ideals, the rampant materialism of the Calvin Coolidge era, and the collision of rural and urban environments. American life was dramatically transformed, and American artists responded to this dizzying modern world with works that emphatically demonstrate a desire for clarity and wholeness and for the expression of stillness and order.

The thorough integration of painting, sculpture, and photography throughout the exhibition, and the critical attention devoted to a broad array of artists, from such leading figures as Georgia O’Keeffe, Thomas Hart Benton, Alfred Stieglitz, Charles Sheeler, Imogen Cunningham, and Man Ray, to lesser-known artists including Margrethe Mather, George Ault, Aaron Douglas, Elsie Driggs, and Peter Blume, will illuminate common themes and shared characteristics. Works of art in the DMA’s collections featured in Youth and Beauty include Lighthouse Hill by Edward Hopper, Bather with Cigarette by Yasuo Kuniyoshi, and Razor by Gerald Murphy.

Youth and Beauty: Art of the American Twenties will be accompanied by a fully illustrated catalogue, co-published by the Brooklyn Museum and Skira Rizzoli, featuring essays by the exhibition’s organizing curator, Teresa A. Carbone, the Andrew W. Mellon Curator of American Art and Managing Curator, Arts of the Americas and Europe at the Brooklyn Museum; Dr. Sarah M. Lowe, a leading historian of modernist photography; Dr. Bonnie Costello, Professor of English, Boston University; and Dr. Randall R. Griffey, Curator of American Art, Mead Art Museum, Amherst College. The curator of the Dallas presentation is Sue Canterbury, The Pauline Gill Sullivan Associate Curator of American Art.

After its run in Dallas, the national tour will conclude at the Cleveland Museum of Art, Ohio (July 1–September 16, 2012).

Youth and Beauty: Art of the American Twenties requires a special exhibition ticket. Order tickets now.

For a complete list of related programs, visit the Youth and Beauty: Art of the American Twenties program guide.

Youth and Beauty: Art of the American Twenties is organized by the Brooklyn Museum. This exhibition was sponsored by DLA Piper. Major support for this exhibition and the accompanying catalogue was provided by the Henry Luce Foundation, the Martha A. and Robert S. Rubin Exhibition Fund, The Mr. and Mrs. Raymond J. Horowitz Foundation for the Arts, and the National Endowment for the Arts.

The exhibition in Dallas is presented by Bank of America.

Additional support is provided by the DMA’s Junior Associates Circle with funds raised through An Affair of the Art 2012: Glory of the Age and the Gay and Lesbian Fund for Dallas. Air transportation is provided by American Airlines.

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Press:

KERA Art&Seek, March 21, 2012

Fort Worth Star-Telegram, March 14, 2012

Pegasus News, March 7, 2012

Dallas Art News, March 4, 2012

Dallas Morning News, March 4, 2012

The Wall Street Journal, November 22, 2011

The New York Times, November 3, 2011

Images:

Nickolas Muray, Gloria Swanson, c. 1925. gelatin silver print, George Eastman House, International Museum of Photography and Film, Rochester, New York, Gift of Mrs. Nickolas Muray, © Estate of Nickolas Muray

Joseph Stella, The Amazon, 1925–1926, Oil on canvas, The Baltimore Museum of Art, Purchased with exchange funds from the Edward Joseph Gallagher III Memorial Collection. Photo: Mitro Hood

Luigi Lucioni, Paul Cadmus, 1928, oil on canvas, Brooklyn Museum, Dick S. Ramsay Fund, 2007.28

Gerald Murphy, Razor, 1924, oil on canvas, Dallas Museum of Art, Foundation for the Arts Collection, gift of the artist, 1963.74.FA, © Estate of Honoria Murphy Donnelly

Charles Sheeler, Church Street El, 1920, Oil on canvas, The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund